SOLO EXHIBITIONS

As of Now, BARA Studios / Whiteaker ArtWalk, Eugene, OR: 2024- ongoing

Efflorescence, Territorial Vineyards, Eugene, OR: 2024 

Forks in the Road, Oregon Art Supply Gallery, Eugene, OR: 2024 

Balance, Robert Cecil Salon, Eugene, OR: 2023 

Vision 1-3, Eugene Eye Clinic, Eugene, OR: 2021

The Writer’s Place, Madison, WI: 1990 

Sacred Stuff, BFA thesis exhibition – painting & sculpture, Humanities Gallery, UW-Madison, Madison, WI: 1990 

FOCUSED GROUP EXHIBITIONS

The Art of Interbeing, 5-person show, Hood River Library, Hood River, OR: 2023

Interbeing, 5-person show, River Gallery, Independence, OR: 2023 

Interbeing, 5-person show, Maude Kerns Art Center, Eugene, OR: 2023 

Art of the Zoom: Unmute Yourself, 6-person show, The Dalles Art Center, The Dalles, OR: 2021 

JURIED & INVITATIONAL EXHIBITIONS

13th Annual Abstract Sanctuary, Verum Ultimum Gallery, Portland, OR: 2026

Seasonal Member Gallery, Maude Kerns Art Center, Eugene, OR: 2025 to present

3 Wishes, Verum Ultimum Gallery, Portland, OR: 2025

Art of Water, Red Bluff Gallery: 2025

Passage of Life: Aging, Exhibizone: 2025 

Forms and Figures, Biafarin : 2025

Signs and Symbols 2025, Gallerium & The Book of Arts: 2025

12th Annual Abstract Sanctuary, Verum Ultimum Gallery, Portland, OR: 2025

Cold Wax International: A Juried Exhibition!, ColdWaxAcademy.com: 2024

Beneath the Surface, Gallery 114, Portland, OR: 2024  

At Home in Oregon, The Gallery at the Airport, Eugene, OR: 2024  

Bringing Out Our Best, The Dalles Art Center, The Dalles, OR: 2023  

Shapes & Colors,Gallerium: 2023 

Eugene Biennial 2022, Karin Clarke Gallery, Eugene, OR: 2022  

Home Team: World Stage [World Athletic Championships], Maude Kerns Art Center, Eugene, OR: 2022  

Oregon Abstract, The Gallery at the Airport, Eugene, OR: 2022 

Mt Si Artists Guild Online Juried Show 2021, Snoqualmie, WA

Invited guest artist, Art Gallery of SnoValley, Snoqualmie, WA: 2021

Springfield Mayor’s Art Show 2020, Emerald Art Center, Springfield, OR – ABSTRACT AWARD: 2020  

Mt Si Artists Guild Online Juried Show 2020, Snoqualmie, WA

Sticks!, Traveling exhibit: Leigh Yawkey Woodson Art Museum, Wausau, WI; Memorial Union Gallery, Madison, WI; New Visions Gallery, Marshfield, WI: 1993  

Expressive Portrait, Gallery UW-Extension, Madison, WI: 1991   

Artful Women 1989 – Women Artists of the Dane County Area, UW Hospital and Clinics, Madison, WI: 1989  

Wisconsin Collegiate Showcase ’88, Crossman Gallery, UW-Whitewater, Whitewater, WI: 1988  

Artful Women 1988 – Women Artists of the Dane County Area, Wisconsin Union, Madison, WI: 1988  

Special Selections – Artwork by Women of Wisconsin, A-Space Gallery, Madison, WI: 1988

AWARDS

Springfield Mayor’s Art Show 2020, Emerald Art Center, Springfield, ORAbstract award 

EDUCATION 

Finch University of Health Sciences / The Chicago Medical School, North Chicago, IL: 2001

University of Wisconsin-Madison, Madison, WI, Bachelor of Fine Arts with distinction: 1990 

   Thesis exhibition: Sacred Stuff, Faculty: Truman Lowe (sculpture) and Carol Pylant (painting)

MGH Institute of Health Professions, Boston, MA: 1977

TEACHING

Blind-Transfer/Contour Portraits, Oregon Art Supply, Eugene, OR: 2025 - ongoing

Art of Found Poetry, Oregon Art Supply, Eugene, OR: 2025 - ongoing

Open Studio for Cold Wax Artists, monthly, Oregon Art Supply, Eugene, OR: 2025 - ongoing

Introduction to Cold Wax Medium 2- and 3-day workshops, Oregon Art Supply, Eugene, OR: 2024 - ongoing

Private lessons and mentorship: 2024 - ongoing

BIBLIOGRAPHY

The Art of Interbeing’..., Tom Peterson, Columbia Community Connection, November 15, 2023

Abstract Art for Beginners: Jan Lintz’s "Balance" Show, Sandy Brown Jensen, Viz City, KLCC, NPR for Oregonians, Oct 11, 2023

The Subtle Pleasure of Abstract Art: ‘Interbeing’ at Maude Kerns Art Center, Sandy Brown Jensen, Viz City, KLCC, NPR for Oregonians, Jan 18, 2023

The Circle’s Edge: Women Artists on Centerstage, Theo. Kramer, Feminist Voices, vol. 3, no. 5, June 8, 1989 

State’s College Artists Impress in Showcase at Whitewater, James Auer, The Milwaukee Journal, July 10, 1988 

PUBLISHED ARTWORK

The 2022 Eugene Biennial: Celebrating Exceptional Art of Our Region, Clarke, Karin, Karin Clarke Gallery  

Every two years like clockwork - it's time now for the 2022 Eugene Biennial art show at theKarin Clarke Gallery, Bjornstad, Randi, Eugene Scene, July 27, 2022

M is for Mayem, and Mystery, Henderson, Donna C., Are You With Me Here?, Jan 8, 2021

SELECTED WORKSHOPS

Cold Wax Academy, online bi-weekly, Rebecca Crowell and Jerry McLaughlin (authors of Cold Wax Medium:  Techniques, Concepts & Conversations): 2022-26

Composition in Cold Wax, Jerry McLaughlin, San Miguel de Allende, Guanajuato, Mexico: 2025

The Language of Abstraction, Zoë Cohen, Oregon Society of Artists, Portland, OR: 2025

Telling the Bees: Practices in Reverence, Reunion and Repair, Zoë Cohen & Donna Henderson, Sitka Center for Art & Ecology, Otis, OR: 2025

Lines and Marks as Abstract Language - An Advanced Cold Wax Workshop, Rebecca Crowell, Ah Haa School for the Arts, Telluride, CO: 2024

Abstracting the Landscape: Experimental Water-Media, Scott Gellatly, Sitka Center for Art & Ecology, Otis, OR: 2024

Plein Air to Studio, Scott Gellatly, Sitka Center for Art & Ecology, Otis, OR: 2024 

Intuitive Abstraction: Color and Composition, Zoë Cohen, Sitka Center for Art & Ecology, Otis, OR: 2024

Advanced Cold Wax Workshop, Jerry McLaughlin, Ballinglen Arts Foundation, Ballycastle, Ireland: 2023

Paper and Paint: Abstract Design, Zoë Cohen, Sitka Center for Art & Ecology, Otis, OR: 2023

Light in the Landscape, Scott Gellatly, Sitka Center for Art & Ecology, Otis, OR: 2023

Strategies for Expressive Color, Scott Gellatly, Sitka Center for Art & Ecology, Otis, OR: 2023

Cold Wax Workshop, Jerry McLaughlin, San Miguel de Allende, Guanajuato, Mexico: 2022

Abstract Investigations: Line, Mark and Form, Zoë Cohen, Sitka Center for Art & Ecology, Otis, OR: 2021

Abstract Open Studio, online weekly, Zoë Cohen, Eugene, OR: 2020

Abstract Acrylic & Mixed Media, Rebecca Mannheimer, Eugene, OR: 2020

Dynamic Still Life, Sarah Sedwick, Sitka Center for Art & Ecology, Otis, OR (author of Dynamic Still Life for Artists): 2019

MEMBERSHIPS

Cold Wax Academy: 2020 to 2026  

Interbeing, abstract painting collective, Oregon: 2020 to present  

Maude Kerns Art Center, Eugene, OR: 2020 to present 

Sitka Center for Art and Environment, Otis, OR: 2019 to present 

International Association of Art USA: 2023 to present

PUBLISHED MEDICAL ILLUSTRATIONS

Duran CMG. “Plastie aortique.” Cardiopathies Valvulaires Acousisis. Acar J and Acar C, ed. Paris:  Flammarion; 417-425; 2000 

Duran CMG, Oury JH, and Gometza B. “Aortic Valve Repair and Reconstruction.” Franco KL and Verrier ED, ed, Advanced Therapy in Cardiac Surgery, Hamilton, Ontario: BC Decker, Inc; 166-172; 1999 

Cheung DT, Choo SJ, Grobe AC, Marchion DC, Luo HH, Pang DC, Favara BE, Oury JH and Duran CMG. “Behavior of Vital and Killed Autologous Pericardium in the Descending Aorta of Sheep.” The Journal of Thoracic and Cardiovascular Surgery; 118:6, 998-1005; 1999 

Shah PM, Raney AA, Duran CM, and Oury JH. “Multiplane transesophageal echocardiography: a roadmap for mitral valve repair.” Journal of Heart Valve Disease Nov;8(6):625-9 Review; 1999 

Oury JH, Mackey SK, and Duran CMG. “Critical Analysis of the Ross Procedure: Do Its Problems Justify Wider Application?” Seminars in Thoracic and Cardiovascular Surgery Oct;11(4 Suppl 1):55-61; 1999 

Choo SJ, McRae G, Olomon JP, St George G, Davis W, Burleson-Bowles CL, Pang D, Luo HH, Vavra D, Cheung DT, Oury JH, and Duran CM. “Aortic Root Geometry: Pattern of Differences Between Leaflets and Sinuses of Valsalva.” Journal of Heart Valve Disease July;8(4):407-415; 1999 

Choo SJ, McRae G, Olomon JP, St George G, Davis W, Burleson-Bowles CL, Pang D, Luo HH, Vavra D, Cheung DT, Oury JH, and Duran CM. “An in vitro study of the correlation between aortic valve diameter and mitral intertrigonal distance: a simple method to select the correct mitral annuloplasty ring size.” Journal of Heart Valve Disease Sep;7(5):593-7; 1998